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Extended quote from Richard Strozzi-Heckler

July 21, 2011 Leave a comment

On Connecting With Others:

“As our story unfolds, we learn that power is not a thing, or something to be personally accumulated, or having someone obey us, but a capacity to surrender to something greater than either of us. Power is a reservoir of which we can partake, and to which each can lead the other…. we come to the realization: it is the surrendering itself that is empowering.

There are two other characters in our story. One is the landscape – the bronze hills, the lacquer-blue sky, dust, the trees faithful in their watching, the inevitable wind. The other is the great arc of time. Our story is not finished. What we learn takes time, and it links the tedious with the dramatic and the mundane with the transcendent. We are empowered only when we are available for it, moment by moment, in our continuing, forever changing story of who we are together.”

Richard Strozzi-Heckler (Holding the Center – Sanctuary in a Time of Confusion, 1997)

I have benefited greatly from Richard and Mark’s teaching at Strozzi Institute and strongly recommend you consider how you may grow your own potential with them.

Memento 1: Snapshots and tattoos…

October 18, 2010 Leave a comment

In the film, Memento, the lead character, played by Guy Pearce, is unable to create new memories and is reduced to polaroids with scribbled notes to his next self (who will not remember creating the note). The really important stuff gets tattooed on his body as ‘truths’.

[it's great movie, which I've written about as part of my recommendation of Nolan's Inception - and I highly recommend both films]

This year has been one of profound transition and transformation for me, some of which has been captured here at Vincet.net even if only obliquely. I’m only just emerging into my next self and, being deeply aware that things were moving within and around me, it’s been quite the journey to this point.

In the past two weeks, as I’ve been catching up with friends old and new, I’ve been filling them in on the journey. I can’t help feeling that, much like for Guy Pearce’s character in Memento, the events I’ve been describing must seem like polaroids with notes scribbled on them – of meaning to someone somewhere in time, but only making sense now when connected to the current me. I have my own share of ‘truths’ captured in my body, which I’m gradually learning are nothing of the sort.

Several of my friends have immediately picked up that I’m different before I even speak and then, when I do begin to discuss this year and connect it to the thread of my life, they’re able to step into the journey themselves for a little while – and make connections to their own travels.

Unsolicited, in the past couple of weeks I’ve been asked to speak to people, teams, groups to share the story of my learning and growth, to help those people to move into, through, or around blockages. I thought long and hard about it

[did the world really need another story of personal transformation? Was my journey of any interest to anyone but me? Would anyone even read it?]

and in the end, was guided by my gut and what I was hearing from my friends – people who know and love me well enough to provide sound counsel – that I have to share what I’ve learned and am learning. If it serves only to reflect that learning to me then that’s enough, though I’m finding there’s a universal nature to some of this stuff.

And it is just that: stuff. It’s my own polaroids and tattoos, telling a story that only exists in the connection between snapshots. It’s what’s happened, and is happening, to me and I’ll write about it here with honesty and clarity in the hope that it helps someone somewhere.

So, consider this preamble the opening credits.

CUT TO:

VINCE sits at his computer, typing into a blog client app. He’s thinking. Quiet. Listening to Dire Straits’ Alchemy on iTunes. He’s upright. His neck above his shoulders, his feet on the ground. His back curves appropriately at his shoulder blades and lower spine. His weight is on his pelvis, which is square beneath him. For the moment, thankfully, the pain of sitting is far away. VINCE speaks as he types the words.

VINCE

(exhaling slowly)
These twenty years… Locked in my neck, my back, my leg…
I’ve pushed myself down for the sake of inherited fear.
And now the release has begun – this happiness, this smile -
to feel the bliss of honest, congruent energy…

VINCE pauses. Thinks.

VINCE (cont’d)
But it doesn’t make sense to start at the end. Nor at
the beginning. Where to start… Where to start?

What the f*** am I working on, anyway?

July 12, 2010 Leave a comment

Like anyone who writes for more than passing pleasure, I have several projects on the go at the moment. And even more that would be on the go if I could only kick myself up the rear-end and get down to it.

My main focus right now is re-drafting Family Rules ready for publication later this year – as a way of keeping myself motivated through the re-draft, I decided to post it online while I was doing so. This had been suggested to me by my brother-in-law and good friend, Mark Henning, who makes beautiful music out of Vancouver, Canada (check out Combine The Victorious and Guilty About Girls). Since the first chapter was posted in March this year, it’s had a little over 6000 visits, which is very cool and, to be honest, many more than I expected. As always with a redraft, I’m bored, but enjoying the process of tightening things up; and falling a little in love with the story all over again.

I’m partway through my first original screenplay, working title Team Building, where Office Space meets Lost with distinctly dark outcomes. The original plot-line for TB was hatched in a bar in Ann Arbor, MI with another writer, Elton Greig. It’s been gradually brewing for a number of years, however I have no idea of whether it’s on the mark or not – screenwriting as a medium isn’t natural for me – story, yes… script layout, not so much – and I recently sent the current draft to my mate, Laurence Blyth, who since we were at school together has pursued a career as film cameraman and now DP. He liked it a lot, which gave me the kick to keep going and bring it to resolution – bring on the slaughtered goat!

[that'll make sense when you see the finished movie]

Musically, version 2.0 of the Monkey68 live crew is about to play our first gig (hopefully) towards the end of the month. It’s a very relaxed set-up and we’re having fun. I’ve released a lot of tension that was locked into my playing style and am feeling the benefit. I have a number of songs in development, one in particular that is very close to being recorded – it’s about my dad (who has been very, very ill) and is pretty heartfelt. He is a strong man and has given strength to me – I love him. The song is untitled as yet, and should be done in the next couple of weeks.

Now we get to the fun bit – all the things I’m thinking about…

About a year ago, I launched We Are Story, a writing experiment – and was, for a while, pretty prolific over there. The idea of We Are Story is quite simple. Anyone can join (it’s free) and contribute to a central story, told in ‘pods’ – about 500 words. The only catch is that only 5 draft pods are in play at any one time, and any one writer can only have 3 reserved. This means that no one writer can dominate the story, and that threads can develop without being fully realized by one person. Oh, and once a writer reserves a pod, it’s only live for 5 days, then it disappears. It works much easier in practice than it does to describe it here. Now that I’m emerging from some pretty big life changes, I’ll be heading back over to We Are Story – there’s something about the David Lynch-esque story developing there that has me intrigued! If you write, and want to explore or simply practice, come on over and join me.

As I mentioned in my post yesterday, I’m going to experiment with recording some chapters of my already published novels: Do Sparrows Eat Butterflies? and Karaoke Criminals. I did a test reading yesterday of both and think it may work – though it’s a little weird speaking aloud what I’ve spoken in my head up until now. I’ve done my fair share of acting, and am always reading books to our girls, but there’s something very, very different about speaking my own words. It’ll be an interesting experiment to head down into the studio and record the chapters.

On the subject of Do Sparrows Eat Butterflies?, I’m highly likely to start working that into a screenplay before the end of the year. Jane and I were kicking around ideas and believe that it can be transported from its original British location to the North East US. So, the original’s Ramsgate becomes New London, CT and Certainty will either be out on Cape Cod or up in New Hampshire (undecided as yet). If you don’t know what Certainty is, you should buy the book!

The final major work that’s dancing around in the back of my thoughts is a business book, targeted at my former professional cohort, HR. It’ll draw together various strands of emergent neuroscience and management literature to challenge the function to rip apart all the stuff it’s introduced over the past twenty years, destroying the unwitting and counter-productive bureaucracy of the ‘modern’ organization. It’s working title is ‘Destruction HR’ and the first line will be ‘This book does not contain any best practices’ because HR is notoriously guilty of reading about ‘best practices’

[which, btw, don't exist]

and blindly adding them into their own business – HR is guilty of being a relentlessly additive function. I’ve yet to decide whether Destruction HR will be written and published under my own name or my corporate alter-ego, BadConsultant. That decision will guide both the style and format – so it’s important to get it right up front!

I guess all I can say on all of the above is stay tuned.

[I daren't say more, I have too much writing to do!]

Vince

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